Showcasing the best innovative works in art and photography since 2010. Start typing & press "Enter" or "ESC" to close. But opting out of some of these cookies may have an effect on your browsing experience. During the 1960s he created the cycles La fine di Dio (exhibited in Milan at Galleria L’Ariete, 1963), monochromatic oval canvases perforated by a series of holes; Teatrini (1964), and Ellissi (1967), in lacquered wood. FONTANA, LEONCILLO, MELOTTI, curated by Andrea Bacchi, ML Fine Art is pleased to present this extraordinary Crocifisso relized by Lucio Fontana in... NOT MADE NOT CHOSEN NOT PRESENTED BY STUDIO FOR PROPOSITIONAL CINEMA Nov. 6 - Dec. 4, 2020 Copyright © Artist Run Website. Between 1952-1953 he conducted parallel experiments creating his first Costellazioni, and subsequently the Concetti spaziali series sprinkled with fragments of colored glass (Pietre). ph: Lucio Fontana in his studio during the Sixties ©Fondazione Lucio Fontana The Italian artist Lucio Fontana was born in Rosario di Santa Fé in Argentina in 1899. Lucio Fontana’s oeuvre is more than just visually alluring and thought-provoking, it brought about a … Provenance. Lucio Fontana, Crocifisso, 1949 In occasion of the exhibition RITORNO AL BAROCCO. Browse Widewalls and discover more auction records by Lucio Fontana, with prices and details of each lot! Materials. LUCIO FONTANA 1899-1968 Rosario, Argentina 1899-1968 Varese, Italy (Italian) Title: Spacial Concept Concetto Spaziale, 1968 Technique: Original Hand Signed, Numbered and Dated Etc... Category 1960s Lucio Fontana Art In 1951 he realized the large neon (about 300 meters long) exhibited at the IX Triennale in Milan (1951), conceived as a pure sign of light in space. Lucio Fontana lived in Milan from 1905 to 1922 and then moved back to Argentina, where he worked as a sculptor in his father’s studio for several years before opening his own. This document contains the ideas representing the theoretical principles of Spatialism, which Fontana, returning to Italy in 1947, developed through a series of five manifestos elaborated between 1947 and 1952 (Primo manifesto spaziale, 1947; Secondo manifesto, 1948; Proposta per un regolamento, 1950; Quarto manifesto dell’arte spaziale, 1951; Manifesto del movimento spaziale per la televisione, 1952). His trademark perforated canvases drew both the ire and admiration of critics in the 1950s and 1960s. Until 1949 he devoted himself intensely to sculpture, participating with five pieces in the Venice Biennale of 1948 (to which, in addition to previous participations, he was present continuously until 1968). It is mandatory to procure user consent prior to running these cookies on your website. 1950. Photo credits wikiart.org More Than Rich Career. In early works, like the ones pictured above, Fontana would affix rounded stones and pieces of glass to the surface of the painting, creating an extra dimension and aesthetic angle. Painted clay - Fondazione Lucio Fontana, Milan Artwork Images. The scholarship, whose call will be published in 2021, will focus on the deepening of Lucio Fontana's Argentine period and marks an important collaboration between institutions aimed at new international scholars of contemporary art. Lucio Fontana was born in Rosario de Santa Fé in Argentina and raised in Milan. All rights reserved. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy in order to generate dimensional, dynamic artistic forms. This website uses cookies to improve your experience. I’m not sure about the location of this studio, but it looks like an underground tunnel, one that might open up into an even larger space. His contributions This lush, even glamorous exhibition is curated by Mel Bochner and comprises 18 works by himself, Alighiero Boetti and Lucio Fontana, as he seeks to show the connective threads that bind them Magazzino Italian Art, Cold Spring, New York. In 1934 he joined the group of Italian abstractionists (among which Melotti, Soldati, Reggiani, Licini) gathered around Galleria del Milione; the following year, with some of them he supported the Parisian movement Abstraction-Création and signed the manifesto of the Prima Mostra Collettiva di Arte Astratta Italiana held in the studio of Enrico Paulucci and Felice Casorati, in Turin. Available for sale from Martini Studio d'Arte, Lucio Fontana, Studio per serigrafia (1967), Pen on paper, 28 × 22 cm Reconstruction authorised by Fondazione Lucio Fontana, Milan - project Pirelli HangerBiocca 2017. Lucio Fontana was born in 1899 in Rosario de Santa Fé, Argentina and raised in Milan from 1905 to 1922, he then moved back to Argentina, where he worked as a sculptor in his father’s studio for several years before opening his own. Over the course of his artistic career, Lucio Fontana created a rich variety of works ranging from ceramic carvings to paintings and from sculptures to spatial environments. He studied in Milan, and in 1922 he returned to Argentina with his father, with whom he worked until 1924, when he opened a sculpture studio on his own. View Lucio Fontana’s 6,279 artworks on artnet. Community curated inspiration, tips & techniques, and contemporary issues for the modern artist. Studio per parete spaziale (legno-piombo) by Lucio Fontana. Bid now on Invaluable: Lucio Fontana (1899-1968), Studio per decorazione, 1957 from Cambi Casa d'Aste on December 5, 0120 10:00 AM CET. Lucio Fontana Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. You also have the option to opt-out of these cookies. Born in Argentina, Lucio Fontana lived in Milan from the 1920s onwards, setting up his studio there. Although Fontana is best known for his elegant slash paintings of the 1960s, those are but one exquisitely lyrical, late manifestation of an aesthetic that began to coalesce in the late 1940s, when the sculptor, interested in creating an environmental art, began to cut small staccato holes into canvas. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Laid beside the paintbrushes and mixing tools would be sharp knives, jagged pieces of glass, and razors. Guggenheim Bilbao 17 May – 29 September 2019. by JOE LLOYD. Fontana’s studio, pictured above, looks like quite the place! We also make a website builder for artists. He died in Comabbio, in the province of Varese, on September 7, 1968. Always in 1930 he participated for the first time in the Venice Biennale with two groups, including the bronze Vittoria alata and then held his first solo exhibition at Galleria del Milione, where he exhibited regularly in subsequent years. ... Reference: - Catalog Fontana, Galleria Tonelli (Milan) and Studio Simonis (Paris). Lucio Fontana was born in Argentina to Italian parents, and lived alternately in Italy and Argentina throughout his life and career. In 1931 he created the first “graffiti tablets” in colored concrete, engraved with a gestural sign. GALLERIA DELLO SCUDO via Scudo di Francia, 2 I-37121 Verona ↣ google maps, T +39 045 590144 F +39 045 8001306 [email protected], Orari da lunedì a sabato 10:00 – 13:00 15:30 – 19:30, © Galleria dello Scudo Terms & conditions Privacy infotmation. Such an energetic process means the studio space was probably noisy and bustling with activity. His father was Italian and his mother Argentinean. Avant-garde meets ultra-baroque in the works of Argentine-born Italian artist Lucio Fontana (1899-1968), the last two decades of whose vast … In later works, the artist’s three-dimensional interventions would take the form of long, straight cuts made into the canvas of monochromatic paintings. From 1949 is the Ambiente Spaziale (Spatial Environment) at the Galleria del Naviglio in Milan, with three-dimensional shapes illuminated by Wood's light. In the following years he continued his activity as a ceramist, in which his recent spatial experience converged. The Twenties and Thirties The following year he exhibited he exhibited the first canvases with the “holes” at Galleria del Naviglio, Milan. Studio Sunday: Lucio Fontana Lucio Fontana was born in Argentina to Italian parents, and lived alternately in Italy and Argentina throughout his life and career. Lucio Fontana was born in Rosario de Santa Fé in 1899, son of a sculptor of Italian descent. He moved back to Argentina in 1922 and worked as a sculptor in his father’s studio. Before leaving Italy, he approached Corrente, exhibiting at a show of the group (Seconda mostra di Corrente, Milan, Galleria Grande, 1939), even without sharing the official position of the movement. Lotto di due opere: a) Studio per soffitto firmato Fontana (in basso a destra) inchiostro su carta cm 28x21 Eseguito nel 1952-53 Opera registrata presso la Fondazione Lucio Fontana, Milano, n. 1945/12 b) Studio per battaglia firmato e datato Fontana 60 (in basso a destra) inchiostro su carta cm 21x28,5 Eseguito nel 1960 Opera registrata presso la Fondazione Lucio Fontana, Milano, n. I thought I knew Lucio Fontana (1899-1968). The movement focused on the spatial qualities of sculpture and paintings with the goal of breaking through the two-dimensionality of the traditional picture plane. Lucio Fontana was an influential Argentine-Italian artist and theorist, best known for being the father of Spazialismo (also known as Spatialism). Find an in-depth biography, exhibitions, original artworks for … This lot is offered by Christie’s Inc. Brought to you by Alice de Roquemaurel [email protected] +44 (0)20 7389 … Lucio Fontana was born February 19, 1899, in Rosario de Santa Fé, Argentina. He attended the Istituto Tecnico Carlo Cattaneo in Milan in 1914. This website uses cookies to improve your experience while you navigate through the website. In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct the city after the war. This work is registered in the Fondazione Lucio Fontana, Milan under no. Lucio Fontana. In 1914, Lucio attended the Istituto Tecnico Carlo Cattaneo in Milan. Fontana had found his studio and works completely destroyed in the Allied bombings of Milan, but soon resumed his ceramics works in Albisola. He served in World War I in 1917, but he was dismissed after only one year because of an injury. Read More We'll assume you're ok with this, but you can opt-out if you wish. These cookies do not store any personal information. The studio space itself is full of seemingly disparate artworks – there are paintings, sculptures, and works that look to be somewhere in between. In 1926, he participated in the first exhibition of Nexus, a group of young local Argentinian artists. Returning to Italy in 1928, Fontana pursued formal training in classical sculpture, enrolling at the Accademia di Belle Arti di Brera. This idea, combined with the look of the space, makes me think of Peter Voulkos’ studio. Lucio Fontana Concetto Spaziale, Attese (1968) Photo: courtesy Cardi The work of Lucio Fontana has been the subject of a kind of renaissance over the … Fontana had an important influence on European artworks, effectively creating the Spatialism movement as well as contributing to the parallel movement of Arte Provera. He moved back to Argentina in 1922 where he worked as a sculptor in his father’s studio. Returning to Milan in 1928, he entered the Brera Academy and became a student of Adolfo Wildt, graduating in 1930. Lucio Fontana Biography. Nov 16, 2018 - Explore Elsa Davern's board "Lucio Fontana", followed by 2521 people on Pinterest. 424/1 and it is accompanied by a certificate of authenticity (dated 19.05.1970). Lucio Fontana Born Feb. 19, 1899 Santa Fe, Argentina Died Sep. 7, 1968 (at age 69) Varese, Italy Nationality Italian Education Brera Academy, Milan Movement Spatialism Field Painting, Sculpting Works Lucio Fontana was a famous Italian artist who was known for combining different mediums in order to create a new form of art. When Fontana returned to Italy the following year he found his studio in ruins, destroyed by the allied bombing of Milan. Concetto spaziale (Spatial Concept) One of Fontana's first cycles of works, the buchi (holes) series features the opening of the canvas surface to expose the space behind it. Studio Marconi, Milan Acquis auprès de ce dernier circa 1985. He lived in Milan from 1905 to 1922 and then moved back to Argentina, where he worked as a sculptor in his father’s studio … The artist was known for founding Spatialism, a largely Italian-centered art movement which focused on bringing light, color, and even sound into the “real” world, effectively escaping the bounds of the traditional canvas. In 1935 he began to experiment with ceramics. L'oeuvre est enregistrée dans les archives de la Fondation Lucio Fontana sous le numéro 2436/86. In 1958 he proposed at Galleria del Naviglio, Milan (Attese series), the first “cuts”, which the artist experimented also in sculpture, in the Nature cycle (1959) and, from 1961, on metal. Lucio Fontana (born February 19, 1899, Rosario, Argentina–died September 7, 1968, Varese, Italy) was an Argentine-Italian painter, sculptor, ceramicist, and theorist who is best known as the founder of Spatialism.Fontana was born the son of Italian immigrants in Argentina, and his father was the sculptor Luigi Fontana. 1946 is a decisive year for his research: he founded in Buenos Aires the Altamira Academy with Jorge Romero Brest and Jorge Larco. Lucio Fontanawas an Argentine-Italian artist known as the founder of Spatialism. It looks dark and mysterious like Lucian Freud’s studio, yet somehow less cramped. The casual visitor to Lucio Fontana’s studio in the mid-20th century would find an unusual range of tools that he used for his craft. Always in 1961 he made a series of works dedicated to Venice (exhibited at the Arte e Contemplazione exhibition, Venice, Palazzo Grassi, and New York, Martha Jackson Gallery, 1961). The story of postwar Italian art begins with Lucio Fontana. This category only includes cookies that ensures basic functionalities and security features of the website. Upon his return to Milan in 1928, Fontana enrolled at the Accademia di Belle Arti di Brera, which he attended for two years. Necessary cookies are absolutely essential for the website to function properly. Lucio Fontana was born in Rosario de Santa Fé in 1899, son of a sculptor of Italian descent. These cookies will be stored in your browser only with your consent. Lucio Fontana (1899-1968), Big Photography for the Project of the Resistance Monument in Cuneo, in collaboration with Francesco Somaini and Ico Parisi, Italy, circa 1962. In 1940 he embarked for Argentina, where during the war years he worked in a predominantly figurative style. Using these objects, the Argentine-born Italian artist would slash, poke, and rip apart his paintings. Fontana had found his studio and works completely destroyed in the Allied bombings of Milan, but soon also resumed his ceramics works in Albisola. 2021. Exposition. Lucio Fontana's career was largely influenced by the spatial concept Lucio Fontana - Concept Spatiale (detail), 1958. Fontana had started the “holes” in 1949, a motif that he also used in architectural contexts (hole ceilings for Breda and Sidercomit pavilions, both created in collaboration with the rationalist architect Luciano Baldessari on the occasion of the XXXII Milan Fair, 1953). In 1926, he participated in the first exhibition of Nexus, a group of young local Argentinian artists. This way he was able to complete his engineering studies. Milan, Studio Casoli, Lucio Fontana, 1986. Throughout his prolific career, Lucio Fontana demonstrated a relentless interest in the relationship between surface and dimensionality. The Academy became a center of young artists and intellectuals with whom he drew up the Manifesto Bianco (but didn’t sign it). In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct the city after the war. See more ideas about lucio fontana, fontana, contemporary art. In the same year he made Uomo nero, which reveals a very personal style drawing from post Cubism. The artist was perhaps best known for his “Spatial Concept” paintings, which mainly consisted of painted canvases that were then three-dimensionally edited in some fashion. Paper. Since Fontana’s death in 1968, the artist’s works have been widely collected and have drawn huge sums at auction. Since then, and throughout the following decade, Fontana alternated figurative and abstract production. 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